|
 |
| LA CONCHITA
N=AMOUR |
2006-07 |
 |
 |
La Conchita N=Amour is a documentary,
animated, eight-channel linear video installation with 2 audio channels,
composed from two years of footage shot at the site of a vernacular
shrine constructed on top of a mudslide (debris flow) in a seaside
village north of Los Angeles. Built on the remains of an ancient
landslide, La Conchita faces the certainty future slides as global
warming increases marine levels, temperatures, and potentially intense
winter rains that will hasten the flow. La Conchita N=Amour images
an ambient space ‘N” between recursive waves of animated
sequences and long shots of documentary footage, that corresponds
to the loss that cannot be seen, only felt. The eight-channel surround
mimics the phenomenological sensation of absence at the heart of
memorial, and presence, in the cyclical qualities of weather, surf
sounds, freeway noise, and the continuous sublation of shrine artifacts.
Special thanks to Experimental
Television Center, New York 2005 for production support during
a residency using the analog Jones Sequencer.
Exhibitions to date
“Intervene/Interrupt," Porter
College/Sesnon Gallery, University of California-Santa Cruz, group exhibition
of interventionist projects, with Susanne Cockrell and Ted Purves, Guillermo
Gómez-Peña, Amy Franceschini, Nancy Nisbet, Robin Lasser & Adrienne
Pao, Christina McPhee and the Yes Men. In connection with Intervene! Interrupt!
Art as Social Practice, University of California-Santa Cruz May 15-17, 2008
Thresholds
New Media Collection at Horsecross, Perth, Scotland. Iliyana Nedkova,
curator. Commission for Thresholds Artspace, Wave. As part of the exhibition "Bon
Voyage." October 16, 2007 to April 30, 2008.
Installation Views Here
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
Running
time: 18 or 36 minutes, depending on number of channels, loop
Channels:
four or eight SD video, two audio
Installation: four or eight LCD monitors,
one / two parabolic speakers |
 |
 |
|