La Conchita mon amour in COLLECTIONS III Thresholds Artspace, Scotland

la conchita N=amour-excerpt 7 still image / christina mcphee 2008

la conchita mon amour – still

COLLECTIONS III: Works by Women Artists

23 October 2011–20 February 2012 Curated by Iliyana Nedkova

Collections III: Works by Women Artists the final in a series of three exhibitions curated by Iliyana Nedkova, featuring selected works from the permanent public collection of contemporary art at Perth’s Threshold artspace.

The works of over 200 Scottish and 100 international artists have been exhibited since the artspace was officially unveiled in September 2005. 85 of these artists are now represented in the Horsecross Arts’ collection, home to 115 exclusively commissioned works. The series is an endeavour to pause and reconsider our cultural heritage through selected works by Scottish artists (Collection I), international artists (Collections II) and women artists (Collections III). This finale recreates 22 site-specific installations by 18 established and emerging women artists commissioned and acquired for the collection.  All works are showing as curated loops at seven of the different ‘project rooms’ of the artspace including:

◆ Threshold Wave = an area of 22 flat, 40-inch screens all in a row dominating the artspace:
Domestic Modernism, 2009 Julita Wojcik
Entertainment, 2010 Joana Bastos
La Conchita Mon Amour, 2007 Christina McPhee
Ritual #2, 2006-10 Susana Mendes Silva
The Moon and the Oceans, 2005 Henna Asikainen and Silvana Macedo + Reza Tavakol
Life is a Story. The Scottish Episode, 2009 Izabella Gustowska
360 Degrees, 2005 Matthew Dalziel and Louise Scullion
Untitled. Travel in a Box, 2008 Lala Rascic
Influx, 2006 Joanna Kane Catch, 2007 Su Grierson
DeStructures V. 1 and 2, 2005 Prema Murthy
Sonorous Forms, 2006 Cat Lee Marr
The Invisibles, 2007 Alisa Andrasek

2007-12
PAL video
Edition of 1 + AP
commission for 22 screen/3 channel video silent loop

Threshold artspace / Threshold Wave / Perth Concert Hall, Horsecross, Perth, Scotland.

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