Private collection, New York.
after Bob Dylan, Back Pages
The drawing draws forth speech or a naming process.. They acquire names on a provisional basis: the names themselves arise as provisional observations. The titles elide to other artistic works, from Dylan to Richard Hamilton to Ann Carson. As if the drawing is a search engine. "Hers is a lush situation".. How "crimson flames tied through my ears..." And some titles from visitors whose spontaneous comments become the title, or awaken a kind of new drawing-sentence....." explode the holes in your bones...your spot got tooked....what’s the delta on these...WTF happened here....These aphorisms strike me as fragments that develop a partial frame around the drawing, or better yet, an elliptical arc of meaning that doesn't actually close, rather just opens up to more interplay, the theorem stands, a tadasana (standing pose) observing, wit(h)nessing, with you.